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Course overview and what to expect

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Here are all the project files referenced to throughout this course and made available to you.

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In chapter 1, we'll

Gather reference images
Study inspiration images
Take a tour of included project files

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In chapter 2, we'll cover

Details to add to CAD
Color and part names
Assembly structure
Set dressing
Exporting CAD

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Importing models to KeyShot
KeyShot user interface
KeyShot navigation
Moving parts

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In chapter 4, we'll cover

Applying materials
Linking and unlinking materials
Editing material properties
Saving materials

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In chapter 5, we'll cover

Applying textures
Texture mapping types
Center on texture modes
UV texture mapping

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In chapter 6, we'll cover

What labels are
Creating labels pt. 1 - Illustrator
Creating labels pt. 2- Photoshop
Applying labels in KeyShot

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In chapter 7, we'll cover

Building materials
Procedural textures
Every procedural texture explained
Utility nodes
Adding imperfections
Displacement
Geometry nodes

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In chapter C7 PBL 1, we create all the materials for the the scene that we'll eventually be lighting and rendering to create highly polished renderings.

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In chapter 8, we'll cover

How HDRIs work
Environment Settings
Making custom HDRIs
About physical lights

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In chapter 9, we'll cover

Creating, saving and updating cameras
Camera positioning and orientation
Camera lens settings
Depth of field

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In chapter 10, we'll cover

The power of studios
Creating model sets
Multi-materials
Image styles
Combining everything to make studios

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In chapter 11, we'll cover

Adding primitive geometry
Adding models or props

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In chapter C11 PBL 2, we set up 4 different studios for distinct rendering styles and maximum flexibility.

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In chapter C11 PBL 3, we finish up dialing in each studio adding unique lighting and final tweaks to materials and other scene settings.

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In chapter 12, we'll cover

Real-time render settings
Material samples
Render layers
Output, file format and passes
Render mode and samples
Render queue

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In chapter C12 PBL 4, we go over how to pick render settings for our final renderings of our project we've been working on.

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In chapter 13, we'll cover

How to use a depth pass
Render layers and passes in Photoshop
Removing fireflies
Photoshop camera RAW
Saving and best practices

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In chapter C13 PBL 5, we take our final renderings into Photoshop for some post production to add final touches.

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In chapter 14, we'll cover

Closing thoughts
Steps to take to grow
Recommended resources
Community

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